2014 was supposed to be the year of the Chrises, but nobody told Bradley Cooper.
PEOPLE's 2011 Sexiest Man Alive is making a serious play for dominance in 2014: His voiceover performance in Guardians of the Galaxy wrung a surprising amount of pathos from the role of a gun-toting space raccoon, his performance in American Sniper is already garnering Oscar buzz, and he's starring in playwright Bernard Pomerance's The Elephant Man, which officially opened on Broadway Sunday night.
Unlike John Hurt in director David Lynch's 1980 movie about the
life of Joseph "John" Merrick, actors playing the real-life role on the
stage do so without prosthetics, and tradition has so far held that
those actors are typically handsome leading men: David Bowie, Billy
Crudup and Mark Hamill have all contorted their bodies and voices for
the role. Scott Ellis's production is actually something of a return for Cooper: His master's thesis in acting school was The Elephant Man, and he starred in the same production two years ago at the Williamstown Theatre Festival in the Berkshire mountains of Massachusetts.
So how is Cooper doing in the role? Very well, apparently. Entertainment Weekly says he "owns this production," calling him a "magnetic, surprisingly earthy stage actor."
The New York Times's review
calls Cooper "the first star of his stature to take on the part [of
Merrick] in our post-Warhol world of celebrity obsession," noting "he
brings to this production the weight of years of being stared at as an
adult," before concluding that "He is, as he should be, the elephant in
the room."
Deadline's review flat out states that "Cooper is the best Merrick yet," and New York Magazine's review claims that Cooper's performance "not only demonstrates but proves" the stage chops the makeup-less role demands.
If you need any more convincing, Variety's review should do it. "It's a stunning performance," they write. "Deeply felt and very moving."
Sounds like Cooper is making for one elephant Broadway will never forget
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